Musical Interlude

Driving home from lunch one day, the radio announced a choral concert at a nearby church in the evening. I came home to look up the information gleaned from the announcement. Turned out it was a concert by Russia's Academy of Choral Art at St. Anne's Anglican Church on Gladstone. The choir would sing selections from Rachmaninov's Vespers. I don't know about Rachmaninov's Vespers, but Russian a cappella virtually down the road!

I phoned for a ticket and went. I love last minute choral concerts in churches. That's how one should listen to such music - stumble upon it as if called in by song, and that's where music ought to be played - in the place that the music is composed for, with god in attendance.

I acquired this preference in France and Italy. When I travelled all those years ago, I wandered many towns and city neighbourhoods on foot. Invariably, I ended up in a church at the end of the day. I was usually looking for a place to rest before heading back to the hotel. It always surprised me when I came upon a concert. I went it even if I was late.

Once in Dijon, while sitting in an almost empty church, people started coming in and setting up music stands. Before you know it, more people came in and sat down around me. Then musicians picked up their instruments and played. Someone handed me a program of the night's concert. It was Mozart and Bach. For the next two hours, I wondered if I was in heaven, and I was not a fan of classical music in those days.

So St. Anne's Church has a high dome in the middle. It has a colour scheme of pink, blue, and yellow, with harlequin patterns and florals painted around window frames and arches. Seated in a pew, we watched the choir enter the stage area. They were young! Not children, but none of the singers could have been more than 25-years-old. The men in black suits came in first and sang a few songs. Then the women in burgundy gowns filed in. All the men moved back and smiled, as if they now felt complete. They certainly looked less frightened.

I was not familiar with the music, but I know good voices when I hear them. Most people can. It is a gift to be able to play your voice like a well-tuned instrument. Most people can't. These young singers can. It stunned me when a young, beardless, thin man opens his mouth and out came a deep bass note. The man and the voice didn't go together. Or when a young woman started to sing and she barely opened her mouth, but a deep soothing alto song issued forth and I wondered where it came from.

The most fascinating musician was the conductor. He too was a thin young man of 30 at most. The program notes said he only graduated from the Moscow Academy of Choral Art as a choral conductor in 2004, and that he is currently a post-graduate student at the academy. It's always fun watching conductors because they are so theatrical. They stand tall, puff out their chest, wag their head, and wave their arms in jubilance when they want the song to get loud and strong, they curl up and writhe in pain when they want the song to be soft. Sometimes they mouth the song with the choir.

But this one, this one also hummed the opening notes for each part of the choir for each song. At first, I looked around to see who's providing the tuning notes. It took a few songs for me to realize it was the conductor. It was distracting. People who sat in the back must have thought so too. They looked around for the source of the humming every time.

But they sang brilliantly. Then I learned this same choir was singing at Roy Thomson Hall the next night with the Moscow Chamber Choir. But Roy Thomson Hall is not a church and going the next night required some planning, and I can't leave The Boy home alone two nights in a row now that I am not travelling. So I went home satisfied with what I fed my soul that night.